Fat Shaming Is Indeed ‘A Thing’, Nicole Arbour: A ‘Dear Fat People’ Response

2C0C7AE100000578-3225342-image-m-2_1441642006347
Nicole Arbour in ‘Dear Fat People’

This past week, a video has gone around by YouTuber and comedian Nicole Arbour, whose past hits include such titles as “Dear Instagram Models”, “Why Girls Are Crazy” and “Why You Really Got Divorced.” In this video, entitled “Dear Fat People” the wannabe shock-vlogger decided to go after her new target, which was pretty much anyone who is fat.

I won’t link to the video, or pretty much any of her other videos, because I refuse to assist in her channel getting further hits. However, here’s some of the glorious highlights of that 6-minute hate fest.

‘Fat shaming is not a thing. Fat people made that up,’ she says. ‘That’s the race card with no race. “Yeah, but I couldn’t fit into a store. That’s discrimination”. Uh no. That means you are too fat, and you should stop eating.’

‘If we offend you so much that you lose weight, I’m okay with that,’ she says. ‘You are killing yourself. I’ll sleep at night. Maybe I am jealous that you get to eat whatever you want.’

‘Obesity is a disease?’ she asks. ‘Yeah, so is being a shopaholic – but I don’t get a f***king parking pass. It would make a lot of sense if I did. I am the one with all of the bags.’

‘I am not saying all of this to be an a**hole.  I am saying this because your friends should be saying it to you.’

Actually Nicole, you’re just being an asshole.

So let’s start with the facts: fat shaming is a thing. Fat shaming and other forms of body shaming are a way for people to impose society standards and their own upon you and your body. It is a type of discrimination that is rendered against those who are considered overweight, and especially those who are considered obese in our world. It comes in many forms, from advertisements that tell you to lose weight so you’ll be happier (‘just shed those pounds and you’ll be frolicking in this field like me!’) to the poor media representations of obese people, to blatant and outright hatred like that expressed by Arbour above. Fat shaming exists. It also doesn’t work.

This, from Professor Jane Wardle, director of the Cancer Research Health Behavior Center at UCL:

 “Our study clearly shows that weight discrimination is part of the obesity problem and not the solution. Weight bias has been documented not only among the general public but also among health professionals; and many obese patients report being treated disrespectfully by doctors because of their weight. Everyone, including doctors, should stop blaming and shaming people for their weight and offer support, and where appropriate, treatment.”

Yup, that’s a scientific study, Nicole. Stick your fingers in your ears all you want, but the science and years of experience from plenty of fat people out there says that fat shaming does not work. Getting on YouTube and supporting fat shaming in defiance of the scientific evidence puts you right up there with anti-vaccers and climate-change deniers, people so intent on supporting their own bogus viewpoint that they won’t pay attention to actual facts. Fat shaming fits every definition of bullying and does not work.

In fact it has the opposite effect. People who experience body shaming are prone to have more problems, like depression and anxiety, eating disorder issues, body dysmorphia, etc. And to me, that’s a no brainer moment. I don’t have to sit here and think hard about the fact that shaming someone doesn’t increase their overall life quality. That’s not a stumper. The part that gets me is how other people don’t see that.

The good part is, plenty of people did in the case of Nicole Arbour. Her video was pulled from YouTube for violating terms of service, for which Arbour screamed censorship. Next, blogs all across the internet responded with articles blasting the hateful video, and YouTubers began tossing out their own response videos decrying the fat shaming Arbour espouses. My favorite video comes from Whitney Thore of My Big Fat Fabulous Life, whose whole video I’m going to link here at the bottom. But Thore tells it like it is about what it’s like to live as a woman being fat after gaining weight from poycystic ovarian, stating, “You can’t see a person’s health by looking at them.”

Tess Holiday, the fabulous plus sized model had a fantastically dismissive response:

2C0C8C5100000578-3225342-image-a-5_1441642044040

And that’s where I stand on Arbour and her kind too. Yes, her kind. Everyone’s met one in their lifetime. The self-righteous, hateful kind who hold to the idea that they have a right to shame another human being for how they look. That they can judge someone for how many pounds they are, or what they look like in clothing. You’d think Arbour would have seen one or two after school specials growing up to know that bullying isn’t okay, but clearly the lesson didn’t take.

Arbour says she’s just telling it like it is, and it’s no secret that shock comedians have been doing this kind of thing for a long time. What Arbour and many others still seem to be missing is that the age of ‘all press is good press’ is coming to (if not already at) an end. It’s no longer a game online of just getting your name known. Now people can just Google your work and see what you’ve said, and make their own judgements. Case in point, what happened to Arbour after she posted up this video.

You see, Arbour was relying on the out of line content of her six minute bit to get her attention. And it did. She was fired from a movie after director Pat Mills saw her ‘Dear Fat People Video’ because – wait for it – the movie was about young dancers discovering body positivity! Way to shoot yourself in the foot there. And it’s the response by director Pat Mills of Don’t Call Irene (which I’m going to be checking out in response to this move) that makes me feel like maybe, finally, folks are getting the point.

Arbour certainly didn’t. She responded by defending her video, saying she wasn’t really shaming people. That it was all an act.

“I don’t shame people. It was an act. It was one bit and I do a new bit every single week. I don’t hate anyone. I don’t shame anyone. I don’t actually believe in bullying at all.”

“The video was about obese people. I was very specific that it’s not the average guy with some cushion for the pushin’. [The message is that] we really care about them and we want them to be healthy because I’m selfish and I want them to be around,” she told BBC. “I don’t think it’s a cheap laugh. Twenty million views isn’t that cheap. I’m an equal-opportunity offender and it all goes back to comedy.”

Oh, so it was just acting. And besides, it was about obese people, not regular people who have some “cushion for the pushin'” (which is just the worst term ever, please stop using it right now, this instant). Fact is, if you don’t think that what you said is shaming, Nicole Arbour, I don’t think the word means you think it means. And just because it’s comedy doesn’t mean that people won’t think you’re awful for what you’ve said. There’s a clap back headed your way from a lot of people, Nicole, and it’s pretty awesome.

body-positivity-and-imageThere’s no denying that this issue is a personal one for me. As a woman who has been fat all my life, having hit about two hundred pounds at the age of twelve, I have literally spent twenty years of my life dealing with the stigma of being overweight. I’ve had the unfortunately not so unique experience of enduring callous, hateful, disgusting, often terrifying comments thrown my way. I’ve had people tell me I should kill myself for being fat. I’ve had kids chase me in the subway, snorting at me and screaming ‘fatty!’ while others looked on.

I’ve had people I respect, trust, and love tell me such heartbreaking things that, I’m sure, they thought were just helping. Things like:

  • “When I look at you, I see the beautiful person trapped inside all that fat, waiting to get out.”
  • “If you don’t lose weight, no man will ever want to marry you. Then you’ll never have children, and die alone.”
  • “There’s nothing beautiful about being fat, it’s all just a mess that makes me sad to look at.”
  • “You don’t need to wear a nice dress, nobody’s looking.”
  • “God, I look so bad today. But at least I’m not fat. If I was fat, I’d just kill myself.”
  • And this, when I asked a guy out and he turned me down: “You know how some people don’t like some kinds of porn? I don’t like fat people porn.”

These are all quotes said to me, each by people I know: family members, friends, co-workers. The last was a guy I knew in college that I wanted to date. And you can bet that I remember his name, all right. I remember he was a funny, skinny nerd guy who wrote video game music and lamented about the way he was bullied for being a nerd in high school. I remember him as the guy I never spoke to again, whose name is now synonymous with hypocrisy.

So when I say I’ve heard this all my life, that I didn’t need the science to explain to me that fat shaming doesn’t work, you can trust in my experience. And that this article comes with no small amount of happiness to see the responses

Fat bodies in our society are reviled, belittled, hated, and fetishized. Those who are overweight are ignored, demeaned and shunned. We are expected to accept vile bullying because society still accepts that fat is one of the worst things a person can be. Fat shaming is expressed in every part of our culture, in every place people build communities, even those that are meant to be accepting, inclusive, and safe. And it’s because people still perpetuate the notion that fat is the worst thing that you can be.

But there’s a silver lining in this story. If you google Nicole Arbour now, all the articles that come up as the top searches aren’t about her, exactly. It’s about how she was fired from a movie because of her hate-filled little video. And if you look at nearly all the comments responding to this nonsense, you see people calling out her video for what it is: jealous, narcissistic hatred. Hatred from a woman so trapped within the rat race of societally acceptable beauty that she would turn against other human beings and mock what they look like for the sake of five minutes of fame.

Well, she’s famous now, all right. Only the tide has started to turn, maybe, just a little. And the same #bodypositivity folks Arbour was so prepared to mock might just have a louder voice than she does. Because love of yourself and others does have a louder voice than hate. Afor once, maybe we’re seeing an example of it.

There Is Rape In Our Fandoms, Why Are You Surprised?

The internet this week saw a tremendous uproar after this past week’s Game of Thrones episode, “Unbowed, Unbent, Unbroken.” This is a show that prides itself on its last five minutes being intensely shocking and resulting in furious Monday morning blog posts and fights around the water cooler (or the internet equivalent, message boards and Facebook). Only this week’s fighting has been over something pretty heinous. And this is where the spoilers come in folks, so if you haven’t seen it yet, well, the rest of this article is spoilerific. It will also have discussion of Mad Max in it with some spoilers, so be aware. It will also be pretty triggery for discussions of sexual violence and screen caps from shows that might be triggery, so be warned. Whew, lots of warnings. With that out of the way, here we go.

gameofthrones

This week’s episode of GoT ended with the wedding of Sansa Stark, the redheaded young ingenue of Game of Thrones, married to the sadistic Ramsey Bolton. Ramsey, who has been shown to be probably one of the most heinous characters on the show and in the books, takes Sansa to their bed chamber after the wedding and proceeds to strip of her of her wedding gown and rape her. He does this in front of Reek aka Theon Greyjoy, who he has kept as a pet since he tortured and broke him. The last shot of the show is Reek crying his eyes out over the sounds of Sansa’s cries.

This horrifying scene marks yet another deviation the show has taken from the books in terms of plot. In the books, a young servant girl named Jeyne Poole, who was passed off as Arya Stark (Sansa’s sister), was instead married to Ramsey. In the books, Ramsey makes Reek (himself abused into submission by Ramsey) join in as he rapes Jeyne on their wedding night instead of Sansa. The TV show chose to merge Jeyne’s story into Sansa’s to give her the opportunity to reclaim her ancestral home of Winterfell in the north by marrying Ramsey, and therefore giving her a chance to act as a political character on the show alongside her creepy patron Littlefinger. That choice however sent her on a collision course with this wedding night scene and the show’s choice to make it a non-consensual and violent rape.

The response after the show online was immediate and LOUD. Many people have declared that this is the end of their watching Game of Thrones, and websites like The Mary Sue have chosen to discontinue their coverage of the show due to this creative choice by the writers and designers. They make a very good case as to why they’re doing that here. They site the fact that this is a show that has time and again chosen to include more sexual violence against women, has twisted scenes that were different into acts of rape (such as the scenes with incestuous siblings Jaime/Cersei Lannister in Season 4 or Daenerys/Khal Drogo in Season 1). This latest scene has been the straw that broke the camel’s back, it seems, for many viewers who are fed up with the over sexualization of women on the show and the constant return to sexual violence as a plot point for highlighting how evil and bad Westeros and its residents are. I can understand those feelings and concerns one hundred percent, and I am in support of every person who says the show has an issue with overuse of rape and who choose not to watch instead. I am in support of that assessment as well and wish Game of Thrones would stop including countless unnecessary instances of sexual violence against women.

I am, however, surprised at how shocked and shaken so many fans seems to be over this turn of events.

I took to Twitter myself to discuss the situation, but it took a few days for me to unpack my discomfort with some of the reactions that I’ve seen so far. So let’s start with…

Guys: Game of Thrones is full of rape.

Haven't forgotten this so fast yet right?
Haven’t forgotten this so fast yet right?

The world created by George RR Martin, the world of The Song of Ice and Fire series, is a world in which women are considered at best second class citizens and at worst property. They are constantly under threat of having their agency violated and having sexual violence visited upon them. Even characters who are considered the ‘strong’ ones, like Brienne of Tarth, Arya Stark, Daenerys and Cersei face the threat of sexual violence as a matter of course throughout the series. The only women who escape such fates are those who are rescued by men protecting them (Brienne is rescued by Jaime Lannister, who loses his hand in the process) or who rescue themselves (Arya Stark). They often must accept arranged marriages and come to terms with potentially non-consensual sexual situations so that it won’t BE rape (Daenerys deciding to accept the advances of Khal Drogo who she was forced to marry) but overall, the world of Game of Thrones is a hostile place to women in all ways, but especially sexually. There have been more instances of sexual violence against women on the show and in the books than I can even remember, it is so common place. Yet it is this instance of sexual violence, against Sansa Stark, that has everyone angry and shocked.

And I have to ask: why is everyone so surprised?

Cuz this happens. A lot.
Cuz this happens. A lot.

Westeros was written as a world in which rape is a commonplace event, used as a shorthand to represent the barbarism of the people and the evil they perpetrate on one another. In a world where slaughtering one another over a throne is just another day of the week, Martin and later the TV series need a way to punch through the casual violence to make particular instances strike home even further. Therefore, women are sexually violated because rape is still a shorthand for evil. As the Dothraki used to say in the book, “It is known.” It’s as much a part of the world building as the fact that Winter is Coming.

And for those who have only watched the show and not read the books, it’s been a staple of the show since season one. The show has not shied away from continuing that tradition of sexual violence being an explicit part of the Westeros world. I am not making excuses for that creative choice on the part of the show or George RR Martin but simply pointing out this was the choice and it is known to fans. With that in mind, and with the set-up for Ramsey Bolton as a character, it’s no surprise that the creators chose to put this scene into the show. Sansa inherited this awful scene along with Jeyne’s story arc. Fans of the book knew there was a chance this would happen, and it did.

So why is this the scene that has everyone so up in arms? If the act of rape against a young girl by Ramsey Bolton was so repellant, why didn’t these same up-in-arms fans throw the books away when it happened to Jeyne Poole? Or when the rapes occurred to any of the other characters in Game of Thrones in the previous seasons? I know plenty of people who have said, “I had to put the series away after _____ incident because I can’t stand the violence against women in the books/show” and I support that choice 100%. But for the fans who have stuck with the show until now, I don’t see how there are any illusions left about the nature of the world of Westeros. Game of Thrones is full of sexual violence.

What then makes this scene so shocking? I have to come back to one element of this scene, and that is Sansa Stark.

sansa-stark-game-of-thrones

Sansa Stark Is Not Special

One of the worst moments reading Game of Thrones for me came during the bread riots in King’s Landing. While the Hound rides to the rescue of Sansa Stark and keeps her from being assaulted, another woman character was not so lucky. Lollys Stokeworth is later found wandering the streets, traumatized and naked, after the riots. She had been reportedly torn from her horse and raped by 50 men. She later becomes pregnant and is forced to have her child and then married off to Tyrion’s sellsword, Bronn, who is using Lollys as his ticket to a comfortable life among nobility.

Lollys
Lollys on GoT Season 5 – Treated better on the show than in the books by far.

This horrific gang rape is an ‘off-screen’ throw away, barely discussed in the book, yet marks as a singular moment when I nearly put down the book. Lollys had never been treated kindly by the narrative – fat shamed and put down for not being as intelligent, she is largely considered a throw away character who is the butt of cruel jokes. She’s an example in the narrative of how badly women can be treated if they don’t have something to protect them: a strong family name, relatives that care about them, beauty, title, or strength of arms. Lollys is fat and considered stupid and a second daughter, so she’s no one.

Sansa Stark on the other hand is not. Sansa is a main character and a darling of the fandom. She is the beautiful daughter of Ned Stark and the tragic lady who discovers that her tender heart and dreams of a beautiful, romantic future are just illusions when she is introduced to the cruelty of the real Westeros. Sansa has grown from that little girl character into a young woman traumatized by her surroundings but resilient against them, biding her time until she can take back what is hers. She has all the hallmarks of a character growing with every book or season of the show.

Sansa is the beautiful, sweet, thoughtful protagonist character. She is not a prostitute or a side character. She isn’t one of Craster’s Wives, wildling women raped by their own father north of the wall. She isn’t Lollys. And that is why I believe, in part, the outrage has been so tremendous. Sansa gets more empathy because she is the character you are meant to empathize with as part of the overall narrative – you’ve lived through her experiences, you’ve taken her to your heart and read scenes through her eyes in the books. Yet in the grand scheme of things, sexual violence is abhorrent on every level. And the uneven distribution of outrage as we’re seeing it now shows an uncomfortable bit of privilege coming out. The other characters whose suffering was considered less outrageous were often sex workers, lower class characters, or characters from outside groups like the wildlings. They’re women that are window dressing. They’re Lollys.

Fans of Game of Thrones have been watching sexual violence being enacted on women as part of the world setting and plot since the beginning of the series. Yet only when it happens to characters we are meant to empathize with is the outrage so great that we hear it echoing across the internet.

That uncomfortable fact brings me to my largest point, and it’s this:

Sexual Violence Against Women Is In So Many Fandoms And We Don’t Shout About It Nearly Enough

mad-max-trailer-2-inlineThe very same weekend that this episode of Game of Thrones came out, Mad Max: Fury Road was blasting into cinemas across the country. A glorious symphony of explosions and feminism, Fury Road is an old fashioned popcorn movie that is gorgeous in its execution and progressive in its storyline. There are fantastic women characters, an amazing and uplifting story about the fight to rescue trafficked women from their abuser, all while watching effectively a two hour car chase with flame throwers and armored vehicles. It is, in short, a fantastic movie.

And the storyline is predicated on a backstory of sexual violence.

The women in Fury Road are victims of sex trafficking, sold to a warlord as breeders so they could produce for him healthy babies. When we first see them, they are cutting off chastity belts with heinous teeth openings to keep anyone besides their owner from having sex with them. These women have been the victims of rape as they were captives who escape because, as they say in the film, “We are not things.”

"You cannot own another human being."
“You cannot own another human being.”

Fury Road, this movie being lauded as one of the most feminist and progressive films, is built in a world full of sexual violence.

Here’s the hard part to swallow: most of our most progressive fandoms have sexual violence against women in them.

One of the hardest scenes to watch in Buffy.
One of the hardest scenes to watch in Buffy.

Buffy the Vampire Slayer included a scene where Buffy is nearly raped by Spike. Orphan Black featured the unwilling penetration and impregnation of Helena by the Prolethians. Cylons Athena and Six were nearly raped on Battlestar Galactica. Sally Jupiter is raped in Watchmen. Slave Girl is a formerly trafficked underaged sex slave in comic book series Saga. So called ‘historical’ CW shows like Reign included a rape plot for Mary, Queen of Scots. How about we go old school and talk about The Crow? Or Barbara Gordon’s fate in The Killing Joke? Let’s talk about the rape of Mellie Grant on Scandal. Or every forcible impregnation story on shows like Angel or Star Trek ever. American Horror Story. Bates Motel. Downton Abbey. Vikings. Rome. Hellblaizer. The Walking Dead. Heroes. Sons of Anarchy. Mad Men. Oz. Prison Break. Unbreakable Kimmy Schmidt. 24. I really could keep going.

The torture of Gina, the captured Cyclon Six model, aboard the Pegasus on Battlestar Galactica.
The torture of Gina, the captured Cyclon Six model, aboard the Pegasus on Battlestar Galactica.

The fact is, sexual violence is laced into so many fandoms. It’s become so common as a theme that I picked up two book series right in a row (Red Rising by Pierce Brown and new fantasy series An Ember In the Ashes by Sabaa Tahir) and both were fantasy worlds where women were raped or had threatened with sexual violence as a shorthand for how evil a male character was. This is the language that threads through our fandoms because when you have people killing one another left and right, a new awful must be created that is worse than death, dismemberment, explosions and slaughter. So you threaten a woman with rape.

The Sansa Stark scene brought to the forefront a very serious problem in our fandoms, in the fantasy worlds that are created. It highlighted the disturbing trend to use rape as a shorthand for villainy, and it made a huge audience face this horrific trope that we aren’t speaking about enough. It brought to the forefront that this issue has been lacing our fandoms for years, and yet we haven’t spoken about it enough as a whole. Some people have been talking about it, sure, and there are lots of blog posts and sites dedicated to speaking out about it. But now the conversation is bigger because it’s in your face with the case of Sansa Stark. Only it isn’t just about Sansa Stark. It’s about the shorthand that pervades our fandoms and the fact that until it until it happens to a character like Sansa, the mainstream of audiences have been taking it in stride. Because it is expected.

Let me repeat that: it is expected that worlds will have sexual violence in them as a matter of course. Even if those worlds are completely made up. It is expected that sexual violence is a norm of life.

We expect that worlds will have rape in it when they are completely made up. Dragons can fly the skies, slayers can destroy vampires, zombies can walk the earth, but we can’t imagine any of those worlds without sexual violence.

And that’s what rape culture looks like.

Rape In Our Media Is A Choice

The fact is, it is not a foregone conclusion that rape WILL happen in a fictional creation. It is not necessary that it is included. It would have been just as easy, for example, for author Sabaa Tahir to say “In my fictional world, where living masks bond to people’s faces and ghuls taunt people from moving shadows, people don’t think women are objects to be raped or threatened with sexual violence.” Instead, the women characters are considered lesser then men, objects to be abused, even when they are supposedly ‘strong’ and ‘important.’ The same goes in so many other fandoms and in the above mentioned Game of Thrones. It is a choice made by the creators, and a choice that we as consumers can criticize and mark as problematic. And it is a choice that often times is made to represent the fact that sexual violence is a real problem in our world, one that can be explored respectfully and with nuanced detail in a fictional work. It is a choice made by a creator. It should not, however, be a default.

But once that expectation is set, it seems disingenuous to me to be surprised when the expectation is there to begin with. If we look around, we can see that the spectre of this issue has chased us all over fandom, and being all shocked and shaken when it happens to the sweet, innocent princess character feels like it ignores the violence done to all the other women in those works. It’s just the worst now because it happened to a favorite and not a prostitute or a villainess in Game of Thrones.

I for one hope that the creators of the Game of Thrones TV series will take to heart the very violent reaction happening in the fandom right now and take a solid look at why and how they’re including sexual violence in their show. I hope they use this event on the show to explore marital rape as a subject and the shared experience of victimization shared by Reek/Theon and Sansa, now both rape survivors at the hands of the same abuser. I await what comes next.

But I think it also behooves fans to take a good, hard look at the fandoms they support and recognize that these subjects have been around and aren’t new, or shocking. It’s been there all along. Each person just has to decide whether their favorite show handled it in a way that is acceptable or not to them.

In my case, I will be watching to see how the show handles the Sansa Stark rape. I hope it ends with Sansa sticking something sharp into Ramsey Bolton. But honestly, a big ol’ shadow could pop up and swallow him whole. Who knows? This is, after all, Westeros.

Announcing ‘Not Ready To Make Nice’

microphone-800-shutterstock-98829353

I recently ran into a situation where a friend on Facebook approached me and asked when I was going to “calm down.” She said that I must get tired being “up in arms” about issues all the time, and that I can’t possibly care about so many issues at once. The fact is, as I’m quite capable of balancing many ideas inside my head at once, I do care about many important issues. And along with being a writer and a game designer, I believe being a person who is literate about and critical of the world around me makes me a contributor to my community at large.

To that end, I’m creating here an ongoing set of articles I’m calling Not Ready To Make Nice. It’s named after the Dixie Chicks song of the same name, which was written after the Dixie Chicks received death threats for speaking out against President George W. Bush. For those who want to just hear me talk about games, or comics, or LARP, I’ll still be posting about that. But I’ll be marking some articles under the NRTMN heading. And I’ll be letting fly with what I feel. In my eyes, the fictional work I do and the game design I do is just a piece of the ways I converse with the world at large.

I believe that the hallmark of a generation is marked by the ability and the willingness for people to be aware of the issues around them and to talk about them in the open. There are places in the world and time periods in the world where the mere discussion of dissent would send people to prison or to their deaths, and yet having opinions and writing about them, speaking out about them, even in the most casual sense has become taboo again in many ways. People don’t want to be bothered. People don’t want to deal with “the drama.” And those who do speak up often have to deal with unspeakable repercussions like threats, harassment, and stalking. People get fatigued, burn out, go quiet.

I was raised with the idea that a person should always learn, study, and become more aware of the world around them to have an opinion. That if you can, ask questions and have conversations to learn more and come to new understandings. And in that way, I am passionate about speaking about important issues that I feel strongly about.

I am passionate about ideas. Not upset. Not furious. I don’t need to calm down. Because passion, unlike is often the case with rage, drives from a place of earnest communication and interest in exploring ideas.

That’s what these articles will be about. I can’t promise they’ll always be nice. I will avoid personal attacks where I can and judgement when possible. I’ll even post trigger warnings and research material where I can about the issue. But I will be pointing a finger at things I find curious or interesting, from politics to media to social issues. It’s whatever strikes me because, hey, this is my blog. And in doing that, I am calm, but certainly not ready to stop writing.